Tuesday, May 16, 2006

Tired of the same ol' shit

I've kinda been not drawing or doodling lately. I feel bored with the simple, cartoon-ish, black-ink-on-white-paper figures that I've been focusing on in this blog. Maybe this is just a phase. Maybe I'll pick it back up tomorrow with more funny looking figures that have heads unproportional to their bodies, perhaps with some splattered ink for eyes or something mildly clever like that, and a thought bubble that has some nonsensical phrase in it. Probably not. I think I've killed it, at least for now.

I don't really know what's next. I'm not very good at drawing anything else. One idea that I've taken interest in lately is writing and illustrating children's books. It suprised me that I'm attracted this this genre of art, but it seems to fit. Shel Silverstein has had a big influence on me. This sounds kinda pathetic, but poetry that is intended for children resonates with me a lot more than Ginsberg or Dickinson or Whitman or other poetry like that. Not that I don't dig that stuff. I guess children's poetry just seems more accessable.

The only time that I ever really read poetry in an educational setting was as a kid, reading Silverstein and Hop on Pop and stuff like that. Looking back, I feel quite jipped by my Catholic schooling on the poetry front. I wasn't exposed to hardly anything. I remember being required to purchase a poetry anthology for a literature class in high school, but we never used it. It wasn't until I took an interest in poetry outside of school, starting with Saul Williams, that I actually started to get a clue about poetry. That was only a couple of years ago. I still feel like I don't quite get it though. When I write poetry, I prefer to have an image to go with a poem, just to give it some kind of context, so it's not so illusive and pointless. To me, poetry seems a lot more dependent on and intertwined with its context than other artforms.

I've also taken interest in crop circles, but I don't know how that relates to this blog.

4 Comments:

jeffe said...

a poem for a child or a poem from a child?

I hear you about the poems and school I never got much exposure in that area either even at one of the best schools in the best counties in a great city.

Leelas daughter is very talented in this medium.

Undefined
Asalyn H.
7th grade


Past
She was willing
Open and bright
Adventurous
She had a mind of her own
The wind and rain guided her
They kept her sane
Her imagination ran wild
Free
She was undefined
Present
She is a mystery now
Closed and distant
She has become trivial
Cynical
She is hollow
Empty
Trying to find her way
She is a puzzle missing pieces
Incomplete
She is undefined
Future
Still herself
Yet changed
Content with herself
Still vivid and colorful
Still unpredicatble
Still living for today
She is now a finished puzzle
Beautiful and complete
Forever undefined

11:35 PM  
Paul S. said...

i think your first kid's book should be about crop circles. kudos on the silverstein reference, he was amazing. looking back, your stuff really does remind me of that. what was great about shel was, yeah, he wrote for kids, but there was still a twisted darkness to everything (plus he was friends with hugh hefner). here's what i would do: start out doing some short sequences, i.e. three panels of images and dialogue (old-school cartoon strip style or other), then go from there.

oh, and if you're getting bored with handdrawn stuff, try using adobe illustrator / vector art, it's a whole different medium....

12:06 PM  
Jeff said...

Dude don't stop with these (or at the most take a creative break) trust me they are brilliant and perfect for childrens books if you go in that direction-

We all need a break sometimes or we can burn out as artists- I have been in a similar spiral spanning the last year or so but finally I see the light at the end of the tunnel-
your doing the right thing- constantly creating and just doing which is so important-

You should talk to Devon- his stuff is really influenced by crop circles and maybe the two of you could inspire each other and collaborate

Keep manifesting Spirit,
J

4:05 PM  
leela said...

I think the beauty of Silverstien is similar to waht Paul said, the darker tiwsted vibe. Most find it disturbing, but its honest...it validates the haze that often hangs around ones childhood as we attempt to assimilate to the outside world. It reflects the residing darkness within our capablities, Shel saw this and embraced it. I miss you my friend & dig having this touchstone into your heart & head.

8:02 AM  

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